Showing posts with label Chris Hemsworth. Show all posts
Showing posts with label Chris Hemsworth. Show all posts

Saturday, 25 August 2012

Film Review: The Cabin In The Woods



Certificate: 15 (strong bloody horror violence and gore, language, drug use and some sexuality/nudity)
Directed By: Drew Goddard
Cast: Kristen Connolly, Chris Hemsworth, Anna Hutchison, Fran Kranz, Jesse Williams, Richard Jenkins, Bradley Whitford
Budget: $30 million
Runtime: 95 minutes
Trailer: Watch

For a horror movie The Cabin In The Woods doesn't exactly start in the most conventional manner. We are introduced to two bantering white-collar workers named Sitterson (Jenkins) and Hadley (Whitford) as they make their way through a high-tech facility, their link to the film's paranormal premise unclear. What do they have to do with five generic suburban college kids about to embark on a weekend getaway to the sticks? Soon enough, all becomes clear.

There's not much one can reveal about The Cabin In The Woods without spoiling what is a fantastically original and witty concept. Rest assured however, it's brilliant. What one can reveal though is that this is essentially a film deconstructing the horror genere, a self-referential post-modern horror flick in the same meta mould of Scream 4. Cabin is completely self-aware in the most whimsical fashion, picking up on nuances and fallacies which will delight those sick of the formulaic structure of horror movies nowadays. Dumbass college kids? Check. Secluded retreat not on any map? Check. Eerie log-cabin packed with spooky knickknacks? Check. The archetypes are all here; athletic alpha jock, book smart best pal, sexy slut, stoner and down-to-earth protagonist, but these are merely formalities as the film takes a delightfully unexpected fork in the genre.

Indeed, such courtesies don't last long as our two bantering co-workers get to work in ensuring subsequent events run smoothly. This is utilised to clever effect, a device which writer Drew Goddard and producer Joss Whedon's use to level devastating criticism at the genre and all it's predictability. They waste no time in highlighting this link to our two technicians as they ironically hold to light conventional horror tropes for indelible scrutiny. In the cold light of day, one is forced to ask themselves who, or more importantly why, people continue to watch the same high-school teens get devoured by zombies / werewolves / vampires / mermen over and over. Indeed, the blitheness with which Sitterson and Hadley treat the deaths of the victims says less of their own reactions and more about the audience's. Namely the inherent dispensable, dehumanised nature of horror cannon-fodder as well as genre writers' banality and failure to create empathetic, emotional characters the audience can invest in.

Goddard and Whedon have managed to highlight and mock almost every horror cliche to darkly comic effect. By the end of the film you could accuse The Cabin In The Woods of forgetting its duties to genre subversion by descending a little bit into convention, but it always maintains that element of never taking itself too seriously. This is fun, funny and originally pleasing stuff and could well be considered the best 'horror film' of the year.

Monday, 30 April 2012

Film Review: The Avengers

Certificate: 12A (intense sequences of sci-fi violence and action throughout, and a mild drug reference)
Directed By: Joss Whedon
Cast: Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Tom Hiddleston, Samuel L. Jackson, Clark Gregg, Gwyneth Paltrow, Stellan SkarsgÄrd
Budget: $220 million
Runtime: 142 minutes
Trailer: Watch

Mischief maker Loki returns to wreak havoc as Director Nick Fury of S.H.I.E.L.D desperately assembles Earth's mightiest superheroes in a bid to thwart his alien invasion. As stories go this isn't about to win any pulitzer prizes, but then this also isn't what makes The Avengers the satisfying culmination of five origins movies and hundreds of millions of dollars that it is. In many ways it was always going to be difficult to live up to the extreme expectations of comic book nerds the world over, but fortunately it comes pretty darn close to quenching the hype.

Director Joss Whedon's task of managing this variety pack of egos isn't an enviable one, but it is one which he satisfyingly achieves with some added gusto for good measure. Maybe somewhat inevitably the film does tilt toward a certain iron clad person, however it is evident that Whedon has gone to excruciating lengths to never let one character run away with events. This balancing act extends to all quarters of the film, be it from managing the inflated super egos on show, attuning plot, characters and action while maintaining a healthy equilibrium between wit and emotional drama. Admittedly it is rather enjoyable to spend the first two-hours watching these jacked-up slabs of cool develop their inchoate bromances, but this is also one of those films which could have stood to show more of them fighting as a team rather than homoerotically checking out who has the bigger muscles.

For an action film it might be surprising then that The Avengers focuses more on the interactions of its egomaniacs rather than on who's exploding what and why. This is particularly noticeable with its brittle framework of a plot involving bland alien cannon-fodder which could be considered the quintessential definition of a macguffin. To its credit The Avengers attempts to be more than just superheroes being cool, however this ironically draws attention to the genre's inherent weaker points. Ordinarily asking questions of an unashamed spectacle would yield little other than headaches, but the fact The Avengers does not treat its audience like idiots only begs for answers. What happened to Loki and how did he survive the events of Thor? How did Thor come back to Earth if the rainbow bridge was destroyed? Also, who are these aliens and why are they allied with Loki? Certainly one can switch off and simply enjoy the film as is, but there is also something more cerebral at work which just craves further expansion. While commendable for its ambitious scope and desire for more depth than your typical action film, it is this recognisable cavate which make it slightly disappointing it's not fully realised.

Where The Avengers really succeeds is in its characters. Given the expositions we were given in the prequels the film wastes no time reintroducing us to our heroes, instead jumping straight in to the nitty gritty of group dynamics. This is done with an abundance of charm and humour, and thankfully does not rely exclusively on the witticisms of one Tony Stark. The biggest risk to The Avengers was always that it might become 'The Iron Man plus super-friends show', however Whedon maintains an impressive handle on our men in tights knowing exactly when to cut off those basking in the limelight for too long. It is a potential problem tackled to impressive effect as each character fulfils their function exceptionally. Downey Jr's Stark is still the Stark we all know and love while Chris Evans' Captain America provides the anchor, still confused by this world he's awoken in yet still the most invested in it. Hemsworth's Thor is no longer as tempestuous as when we first met him, and while he probably could have done with some more interaction with his comrades he nonetheless graces us with his godliness. However it is Mark Ruffalo's Dr. Bruce Banner who threatens to run away with the show. His introverted, gentile persona contrasts starkly with the green beast lurking inside in such a pleasantly unexpected manner while his scenes, particularly those with Tony Stark, sparkle with humour.

But this isn't just the bards of thunder gods and men of iron; The Avengers is uncompromisingly generous with its human antagonists too. Samuel L. Jackson takes a preeminent role this time rather than merely showing up at the end while Scarlett Johansson's Black Widow turns out to have more depth than merely being a kick-ass babe. Likewise, new Bourne star Jeremy Renner's Hawkeye is subject to a quivering plot-line as he's subjected to both sides of the coin. Perhaps most extolling of all though is the treatment of Agent Coulson (Gregg) whose monotone exterior we've seen in the prequels is charmingly shattered when he asks for the Cap's autograph and takes on Norse gods. Speaking of which it would be a travesty not to praise another fantastic performance by Tom Hiddleston as Loki, displaying an even more fiendish streak this time round after being 'wronged' in Thor. Indeed, he is bestowed some of the meatiest lines in the film, delivering with aplomb one of the most sneeringly vicious onscreen insults in recent memory.

It would be fair to note that in all likelihood no Avengers film would have ever lived up to all the ridiculously high expectations. However, this is damn close to the best anyone could have hoped for. The main problems with The Avengers mirror those of its prequels in that it is essentially an origins movie itself. Consequently it goes through the same motions of finding its footing and establishing its arcs which inevitably leads to similar imperfections. Yet given the high hopes and the unremitting fan love for Earth's Mightiest Heroes Whedon has done a fantastic job pulling it all together. Most of the criticisms are largely captious when considering the scale of the task, but with this first outing pleasingly accomplished and a tantalising teaser for another Avengers film (stay through the credits), Marvel can only go from strength to strength with this franchise.

Monday, 23 May 2011

Film Review: Thor

Thor has always remained the character most at odds with the Marvel universe. Indeed, he is the trickiest to deal with when integrating him with the likes of Iron Man, Captain America, and the Hulk in the upcoming Avengers movie. Thor suffers none of the inherent weaknesses which make Marvel's superheros more balanced, and, dare I say, interesting. Thor is a God. He can fly, has superhuman attributes and approaches levels of invulnerability. He is, essentially, the cop out that Superman is in the DC universe. It is this type of overpowered character which must be handled with extreme care when trying to incorporate him into the larger universe of Marvel, lest he become camp, cheesy and laughable. With great power does indeed come great responsibility, and thankfully, Marvel studios have taken great care in their portrayal of Thor.

Thor (Hemsworth) is on the cusp of ascending to the throne of Asgard when Frost Giants from Jotunheim interrupt the ceremony in a daring raid to reclaim a casket containing the source of their power. Livid with the audacious nature of the assault, and against his father, Odin's (Hopkins) wishes, Thor travels to Jotunheim in a quest for vengeance. As Thor and his party face defeat, Odin intervenes to save the Asgardians, destroying the fragile truce between the two races. Furious with Thor's impertinence, Odin strips Thor of his powers and banishes him to Earth along with his hammer, which Odin enchants with a spell by which only those deemed worthy may wield it.

Thor opens with a rather dense, thirty-minute introduction to the trans-dimensional beings who are the Asgardians. So far removed is Thor from the Marvel universe on Earth that there was always a risk that it could turn into a cheese fest. But such is the attention to detail in the fantasy world created here and the seriousness with which it is all taken that it creates a satisfying degree of believability. One definitely senses the painstaking efforts to take this film solemnly.

Hemsworth is excellent throughout, dexterously adept to a wide range of roles. Petulant teen, humility, serious, humourous, action-hero and big romantic softy, Hemsworth slides in and out of each with ease. Indeed, Thor's more jocular moments make for a mouth-watering prospect when contemplating how Hemsworth will interact with Robert Downey Jr. in the Avengers movie. However, there is a detectable missing link as to how Thor develops from ungracious plank to humble mountain. The whole point of Odin banishing him to Earth was so that he may learn a thing or two about life, and while this is the end result, we aren't actually shown how Thor comes to this sudden realisation in what is almost an instantaneous shift in personalities. Even so, this doesn't detract from how Hemsworth portrays these traits. Hiddlestone's Loki, revealed as the first villain for the Avengers movie, is also played with gusto as a complex, layered and enjoyable character.

Thor stands well on its own, despite being part of Marvel's series of extended trailers for The Avengers movie. Along with the first Iron Man, it is certainly one of the best of the lot so far and will certainly, like Iron Man, boost Thor from a fringe Marvel character to one of your favourites. This film is good! Another!